NYU Alumni Magazine
Spring 2006
by Nicole Pezold

A laundromat might seem a peculiar place to exhibit art. But Risë Wilson (GSAS ’04) realized this very ordinary location could open a world to an entirely new audience, one that might never think to enter a gallery. As a black woman, she herself had often felt like an interloper in the museums that inspired her. “The pictures in the gilded frames had nothing to do with my experience or my neighbors’ experiences,” she explains. To break down the real and perceived barriers that have locked generations of African-Americans out of the mainstream art world, Wilson proposed combining an art center in a low-income neighborhood with a laundromat that could help support it… FULL ARTICLE

Sparknotes
July 2005
by Justin Kestler

Art and laundry tend to be at opposite ends of the spectrum of human activity: laundry’s a chore we have to do; art tends to be a pleasure people seek out in their free time. The Laundromat Project was created to change both experiences by making a visit to an art exhibition a built-in part of the recurring chore of doing the wash. The profits from the coin-operated machines will help support the creation and showing of the artwork. But above all, the hope is to make art more accessible and relevant to communities who may never visit a gallery otherwise, creating programs and exhibitions that encourage people to engage more with the arts, education, and other civic activities… FULL ARTICLE

Columbia College Today
November 2004
by Shira Boss-Bicak

… For the money making side of the venture, Wilson considered pairing the arts center with a beauty or barber shop or a bodega, among other options. Her objective was to capture the broadest audience possible and to engage customers in visual arts in an informal atmosphere. Eventually she hit on the idea of a Laundromat.

“You have to do laundry whether you want to or not,” notes Wilson, “no matter what the economy is doing.” FULL ARTICLE

24/7 (a publication of Courier Life)
November 2004
by Christy Goodman

… Their angel investor, Echoing Green, was the first place Wilson and Robinson applied for a grant. Lucky for them, they were also the only arts based grant given this year by Echoing Green.

“This is a terrific example of how non-profits are incorporating social enterprise approaches with sustaining an association,” said Echoing Green President, Dr. Cheryl Dorsey. “We were all intrigued by the idea. It is such a smart idea that incorporates social justice principles and theories with a good arts education program that really embraces the changing neighborhood.”

“This is a wonderful grant because it gives us time to plan. The next two years really are planning years to get this up and running,” says Wilson.A third of Echoing Green’s grants go to educational programming. Another third goes towards health-related programming. The rest is historically for the arts, but in the past few years, they have not funded any arts programming—until now… FULL ARTICLE

Daily Challenge
July 16-18, 2004

Rooted in the belief that cultural participation can serve as a path to civic engagement, the Laundromat Project seeks to capitalize on the open, democratic space that a community laundromat offers to engage people who may not actively seek out an arts experience or civic involvement… FULL ARTICLE

CAA News (College Art Association)
September 2002
by Stephanie Davies

… Wilson perceives visual art as an underused tool in African American cultural autobiography and seeks to strengthen the interaction of black audiences with visual art. Her graduate work explores ways in which the art process and “product” has been and can be brought to new spaces and contexts specific to African American populations. Such work serves as preparation to create a laundromat-kunsthalle in a historically black neighborhood... FULL ARTICLE